|   Little Rock, Arkansas
 September 4, 1998
 Review by GJ Hemingway 
 Nashville - September 1998 Review by Lucy Piller 
 Caruthersville,
			Missouri - Aug 1, 1998 Review by Tim Arnold I wanted to see Paul because I wanted to try not to miss some of the great classic rock
			acts coming through this summer like I did last year. Only problem was that one of the
			closer venues to where I live was 9 hours away in Caruthersville, Mo. at the Aztar Casino.
			I had been communicating with another fan, Don Walters, and decided to make the drive and
			pick him up on the way.  We arrived about 4:00 for the 6:45 show. We sat around the casino for a couple of hours
			talkin classic rock and waiting for the gates to open. We were also wondering if any would
			show up in this little Missouri town of around 7,000. Well 6:00 rolled around and so did
			the crowd. We already had our tickets so we got right in and made our way to the front. We
			were one of the first in so we we able to sit in the second row back. What great seats! I
			was starting to sense that this would be a great night.  Tension was starting to build a few minutes before show time. Don was aquainted with
			Paul's road manager and walked up to chat with him for a minute. He told Don that the band
			had been on a grueling schedule and they had been sleeping in the van on the way to the
			concert. I thought that Paul and Co. would be drained and any enthusiasm for performing
			would be gone. Man was I wrong! They announced Paul and out he came and blasted out All
			Right Now.  He then told the crowd to come up around the stage. I thought I am too old for this but
			grabbed my wife and up we went. We were within arms reach of Paul. He was smiling as he
			belted out one Bad Co. song after another. It was as if he was singing those tunes for the
			first time and it really made the crowd feel that he was enjoying performing them as much
			as we were enjoying hearing them.  One incident stands out. An overzealous security guard was trying to push the crowd
			back away from the stage. Paul saw this and stopped singing and got down at the edge of
			the stage and told him to get the heck out of the way and let the crowd up to the stage.
			He was obviously angry and had his fans in mind. He really wanted to create some intimacy
			by having the crowd within a few feet of him. What a great gesture on his part.  I highly recommend any fan of Paul's to make every effort to see him as he is as strong
			and soulful as ever.  Tim Arnold  
 Branson,
			Missouri - July 23, 1998 Review and photos by Donald Walters  I went to the
			Branson show last night, probably 250 people there. Paul was in geat form and really put
			on a good concert. The sound system lacked good quality in that the vocals seemed just a
			touch muddled. Kinda like listening to analog tape after hearing the same track on CD. But
			it still kicked.
 A large group of people danced and rocked in front of the stage. One guy jumped on
			stage and picked up a fallen drumstick. Then took a dive off the stage. It was great fun!
			 
			The songs are as follows, to the best of my recollection:  
 all right now
 honey child
 youngblood
 saving grace
 feel like makin love
 shooting star
 movin on
 rock n roll fantasy
 seagull
 run with the pack
 bad company
 too bad
 encore: can't get eough of your love.
 
 Seattle - June 18, 1998 Review by Lucy Piller 
 Ohio - June 1998 Review by Greg 
 Chicago
			- June 1998 Review by Jack Jalove Hi, Saw PR give one helluva dynamite and entertaining show last night along Chicago
			Illinois USofA's downtown lakefront. Longtime BadCo fan but never saw the band live. I was
			there to see a "Joe Walsh with special guest" show. Didn't know PR was the
			"spec guest" til 15 minutes before showtime when some DJ from the sponsoring
			radio station announced it. Four piece band--PR/guitar/bass/drums--but that doesn't EVEN
			begin to describe the band. They rocked heavily, to say the least! By halfway thru the
			opening song, AllRight Now, PR "had 'em in the palm of his hand". Most everyone
			was singing and clapping right along with old Paul--and he was loving it, too--smiling and
			laughing. PLUS remember, no one even knew he was on the showbill til just before the
			show's start. That's mighty impressive to me. Highlights were Seagull (outdoor show in a
			large treeline bordered meadow, balmy summer evening, puffy white clouds AND.....actual
			seagulls from nearby Lake Michigan floating overhead on currents of air as PR sang--QUITE
			remarklable); a new song, Soul Of Love (I think that's the name); and Bad Company, the
			song. For it, roadies carried an electric piano onstage--center stage, facing front, and
			PR did a wonderfully jazzy--both hands dancing along the keys--solo towards the end. Great
			interplay among all band members, too. The guitarist (Randy Hansen?) had all his chops
			(and "rock poses") down! Drummer and bassist laid down a backbeat foundation
			that would have supported the weight of the earth, itself. Wow. What a show. 30 minutes of
			pure--and unexpected--delight. Wish it coulda lasted longer. Got up this morning and HAD
			to do an Internet search on "Paul Rodgers" so I could tell somebody the story!
			<wink> (By the way, Joe Walsh was great, too!) <grin> Well thanks for listening.Jack
 
 Seattle -
			February 1998 Hello everyone,  My name is Chip Hart and I am the drummer for the Fat James Band out of Seattle
			Washington. We had the honor of playing two shows with Paul Rodgers on the 27 Feb. at the
			Mount Baker Theater which is a 1400-seat old theater in Bellingham Wa. and at Parkers in
			Seattle. It all came about when Paul somehow heard a 3-song demo tape of the Fat James
			Band. Our management got work tapes of his material and we all put our nose to the
			grindstone and went to work. We scheduled two rehearsals with Paul at a recording studio
			in Bellingham Wa. Needless to say, when I first heard his voice come out of the PA, it hit
			me that I was actually playing with one of rock and roll's ledgendary voices. Paul was a
			complete gentleman, very polite and the rehearsals went smoothly.  The day of the show, we had a sound check at 2:00 and tried to dial in the PA at the
			theater and also smooth up some rough edges on the show. The actual show is kind of a
			blurr now. The place was packed with a very noisy enthusiastic audience, to say the least.
			We opened up the show with our original material and then brought Paul on. What a thrill!!
			 Our next show was the following Sunday at a club called Parkers in Seattle. We were
			playing a show in Boise, Idaho ( Fat James ) the night before so logistically it was a bit
			trying. We ended up flying back to Seattle for a 2:00 sound check and sent our gear home
			the night before with our manager. Paul seemed a bit more relaxed for this show. The sound
			was a lot better and we had already seen action, so to speak. A local band called Reckless
			Ricky opened the show and then we took our places. The show was sold out and they were
			turning people away from what I heard. The place was filled with excitement. My biggest
			concern was making sure the tempos didn't get away from us which can happen easily in a
			charged environment like that one. Paul really made the night into a rock event. I'm still
			buzzing from the experience. For those lucky people that were able to attend, they know
			what I am talking about.  So that is my story. Please feel free to email me and I also would like you to become
			familiar with The Fat James Band. We are headed to Europe in May to play the Moulon Blues
			Festival in Ospel, Belgium. We have one live CD which is doing well and also we are in
			production for our 1st national release. So here is the link to Fat James Band. I hope to see you at one of our shows.Chip
 
 Bellingham
			WA - February 1998 Review by Karim Makalai The show was at the Mount Baker Theatre, which is in downtown Bellingham, WA. The
			theatre is beautifully refurbished. The sightlines and acoustics were excellent. I was
			seated in the 9th row. I'm not sure of the capacity, but it was packed! I missed the
			warm-up act, the Fat James Band. Paul's performance started at 9.45pm. Paul didn't have his usual band. Instead, he played with The Fat James Band. It
			included a drummer, bassist, lead guitar player and keyboard player. There was also a
			grand piano on the stage, which Paul used for a couple of numbers. He commented that he
			loved playing "a real piano". Paul's voice sounded fabulous. No matter how many
			times I hear his music, it always sounds fresh and different because of how he improvises.
			The lead guitar had too much distortion, and sounded very screechy on some numbers. As
			well, the guitarist missed the starting chord on "All Right Now". Obviously,
			with some more sound checks, rehearsal and familiarity this will improve. The highlight of
			the night (for me) was hearing Paul sing a couple of songs accompanied just by his
			acoustic guitar. Most of the material in the show was from his Bad Co days. I wish he had
			done some more from the Free days. Still, the audience really seemed to get off on the Bad
			Co songs. Here's the songlist: - Live for the Music- Honey child
 - Rock Steady
 - Ready for Love
 - Youngblood
 - Rock 'n' Roll Fantasy
 - Run with the Pack (Paul on piano)
 - Bad Company (Paul on piano)
 - Seagull (Solo performance with acoustic guitar - heavenly!!)
 - All I want is You (Solo performance with acoustic guitar - indescribable!!!!)
 - Shooting Star
 - Saving Grace
 - Movin' On
 - Feel Like Makin' Love
 - The Hunter
 Encore 1: - Soul of Love- Can't Get Enough
 Encore 2: - All Right Now Well, that's the story. Can't wait for the next show!!! 
 Vancouver
			- 17 January 1998 Review by Karim Makalai It was incredible!!!  The show was at Jaguar's in Vancouver. The club holds about 500 people, though I have a
			feeling that the capacity was exceeded on Saturday. Paul performed at the club on Friday
			16th Jan, and Sat 17th Jan. Both shows were sold out.  The band was not his usual group. I'm not sure if they were local, but they were very
			good. There were two chaps on guitar, a bass player and a drummer, and of course, Paul.
			The lead guitarist played a "blues minimalist" style ala Paul Kossoff, but he
			really cooked during the solos. They played two forty five minute sets, mostly Bad Co
			material. (I wish they had done more Free, they really sounded good.) Paul's voice was in
			vintage form, and you could tell that he really enjoyed the intimate setting of the club.  The first set started at 10.30pm, and featured the following songs:  - Rock Steady - Honey Child - Live for the Music - Ready for Love - Run with the Pack
			(Paul played electric piano) - Youngblood - The Hunter - Sweet Li'l Sister  The second set started at midnight:  - Rock 'n' Roll Fantasy - Soul of Love - Happy birthday (to some called Stink, I
			think!) - Shooting Star - Movin' On - Feel Like Makin' Love - The Stealer - Saving Grace -
			Fire and Water - Can't Get Enough  Encore 1:  - Bad Company (Paul played electric piano) - Good Lovin' Gone Bad - All Right Now  Encore 2:  - A blues number I've heard before, but can't remember the title. Words are something
			like "Baby, you're nothin' like you used to be".  Paul left the club immediately after the show, approx 1.30am.  A couple more notes:  Paul sang with his eyes closed, mostly. His energy level was unbelievable. The way he
			belted out some of those songs was a joy to behold. 
 ROCK
			& ROLL FANTASY
 Jack Monninger Jr. meets Paul Rodgers
  The
			night of Saturday, October 4, 1997 I will remember as a true rock and roll fantasy. A few
			weeks prior to this time, while surfing the Internet and checking out tour dates on Paul
			Rodgers' official website, I learned that the former Free/Bad Company/ Firm frontman and
			his band would be headlining at a club called Annie's in Cincinnati. Just two months prior
			to this, I'd seen Paul Rodgers open for Lynyrd Skynyrd at Deer Creek Music Center, a large
			outdoor music venue located just outside of Indianapolis. Having been so impressed by
			Paul's live performance there, I vowed that I would take advantage of any reasonable
			opportunity to see the man perform again. After learning of the Cincinnati club date, I
			decided this was the perfect opportunity - it was close to home and yet far enough away to
			make it a special weekend getaway for my wife and me. A quick call to Ticketmaster was all
			it took to set the wheels in motion. 
 The weekend of the 4th arrived, and we spent that Friday evening at a little family
			retreat down in Vevay, Indiana, a small town nestled along the Ohio River in a beautifully
			hilly part of the state. The location was perfect for we were only an hour away from our
			destination. The next evening, we arrived in Cincinnati slightly before 7:00 p.m. and
			managed to locate the club easier than expected. Our arrival strategy had been simple, to
			arrive early enough as to allow us ample time to beat any long lines or capacity crowds.
			If we were worried about a large turn out, we needn't have been! Arriving over a full hour
			before the doors were even to open, we were amazed by the fact that there was not one
			single person in the parking lot! For all intents and purposes, minus a car here or there,
			the parking lot was nearly empty! I did take notice of a large tour bus that was pulled up
			against the side of the building, and quickly surmised that this surely must be the road
			vehicle for Paul Rodgers, his band, and crew. With the realization that long lines were
			not going to be a problem this particular evening, we contemplated getting a quick bite to
			eat and returning before the doors were scheduled to open. As I prepared to start the car
			and pull away, just out of the corner of my eye, I caught a glimpse of two men walking
			from the blind side of the tour bus out into the parking lot. As the two men stopped to
			face each other and engage in conversation, I looked over and was struck by an immediate
			realization. Holy snikes, there was Paul Rodgers in the flesh, chatting amicably with a
			crew member no more than 30 feet from my car! I excitedly shouted to my wife, "It's
			him! Quick, get the camera!" With that said, I began to try to open the doors to my
			wife's new Saturn, but this was only the second time I'd driven her vehicle, and suddenly
			I was faced with the reality that I did not know how to unlock the doors! In a frenzy that
			had developed from the unexpected sighting of my rock idol, and my worry that at any
			moment the planets would misalign themselves and my chance to meet Paul would be gone
			forever, without even thinking really, I began to throw my body weight against the door,
			shouting "It won't open, where's the damn locks?" My wife, Joan, caught up in
			the excitement of the moment herself, began to laugh at my helplessness and promptly
			released the lock buttons to the car doors. I literally tumbled out of the driver's side
			from the force of my momentum, but then quickly regained my composure and walked around
			towards the back of the car.
 
 I quickly surmised that I must implement my strategy to meet Paul Rodgers, but then
			realized I had no strategy! I didn't want to rudely invade his privacy and conversation by
			just walking up and jumping right in, especially in this day and age in a barren lot when
			I might possibly startle him into thinking I was some kind of rock and roll celebrity
			stalker. And hadn't I read somewhere that Paul had a black belt in one of the martial
			arts, and was a bit ill tempered to boot, which might result in an accurately placed kick
			that might relegate me to singing a soprano part in a church choir forever! Yes, all kinds
			of thoughts were fleeting through my mind as to what I should do, knowing that this
			opportunity would probably never materialize again. But suddenly, Paul looks over and does
			a little double-take, recognizing his face emblazoned on my black Paul Rodgers NOW shirt
			(the only shirt that I've EVER bought at a concert in my life!) and says with a smile,
			"Hey, nice shirt!" In all honesty, at that particular moment, in a setting and
			situation that I can only describe as surreal, I have no recollections as to what the
			first words were to leave my mouth. Luckily for me, my wife had the presence of mind to
			jump out of the car and ask if she might take a picture of Paul and I together. Paul
			politely agreed, and with that the other gentleman took it as his cue to disappear. So
			Joan and I approached Paul, shook his hand, and I mentioned that we'd driven from
			Indianapolis to see him perform. My wife then proceeded to tell Paul what a huge fan I
			was, and how when we first met I made it my personal crusade to familiarize her with ALL
			of Paul's music, as I've always considered him the "finest" singer in rock. She
			even mentioned that we had one of his songs played at our wedding reception for our first
			dance together. This piqued his interest enough to ask, "Oh really, which one was
			that?" Unfortunately, I was somewhat ashamed to have to admit that it wasn't one of
			his compositions, but his rendition of Hendrix's "Little Wing" - but what a
			rendition it is! As my wife began to ready the camera - wouldn't you know we forgot to
			bring our real camera and had stopped for the disposable variety - Paul obligingly asked
			what location we would like for the background of our picture. I told him the choice was
			his. I was too stunned to really comprehend the stroke of timing and good luck that I'd
			just experienced. He looked around for a moment, commented on the beautiful evening sky
			that was beginning to paint its way across the horizon, and then pointed to a long wall
			that was covered with artful graffiti. He said he liked the wall and chose it because he
			thought it showed the "local color." We walked over to the wall together, stood
			side by side, and quite coincidentally I might add, struck nearly the same pose,
			positioning our hands on our hips and smiling at the camera while my wife recorded my
			monumental moment in the sun. Paul responded by saying he thought he'd blinked, and not
			knowing whether he was kidding or not, she asked to take another picture just so we could
			be on the safe side. At this moment I must confess that I was feeling PDC (pretty damn
			cool!) and just in utter disbelief at how fate, if it can be called that, was smiling down
			on me tonight. After thanking him and telling him we knew he had other things he needed to
			attend to, we shook hands again and I wished him luck on the remainder of his tour. I
			stood there for a moment trying to make sense of what had just happened, and was basking
			in the glow of having met my first real music celebrity and favorite musician/singer of
			all time. I couldn't have written a better script myself, and not for one moment could I
			have imagined that just by sheer timing and luck, that I would happen to run into Paul
			Rodgers, all alone in a deserted parking lot with not another soul around, and actually
			get to talk to and take pictures with the most soulful rock singer on the planet! It was
			just so incredibly cool that I still find it somewhat hard to believe that it happened the
			way that it did. The next time I hear that "voice" come blaring out of the
			stereo singing, "It's all part of my rock and roll fantasy," it will definitely
			conjure up images of a night that was meant to remembered.
 
 London, England - February 1997 Review by Lucy Piller 
 | R E V I E W S 
 September 4, 1998Little Rock
 
 September 1998
 Nashville
 
 August 1, 1998
 Caruthersville MO
 
 July 24, 1998
 Branson MO
 
 June 18, 1998
 Seattle
 
 June 1998
 Ohio
 
 June 1998
 Chicago
 
 February 1998
 Seattle
 
 February 1998
 Bellingham WA
 
 17 January 98
 Vancouver, Canada
 
 Rock & Roll Fantasy
 Jack Monninger
 meets Paul Rodgers
 
 February 1997
 London, England
 
 Concert
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 2000
 
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